Its 28-year-old writer-director, Mathieu Kassovitz, was inspired by a 1993 incident in which a Zairian youth named Makomé was fatally shot while in French police custody. The result is that La Haine achieves a feeling of hyper-reality as it unravels the genesis of the hatred it depicts. There's also overlapping dialogue, jump cutting, and a mix of professional actors and non-actors on screen. The film covers less than 24 hours, with title cards noting the passage of time, and striking, black-and-white, documentary-style camerawork creating a feeling of authenticity. When they find a policeman's gun that was lost in the riot, they vow revenge and head toward Paris, planning to kill a policeman if their friend dies. In the film, three young men, of Jewish, Arab, and black African descent, seethe with anger against the police and the establishment for the beating that left their friend in a coma and triggered a riot. Share La Haine, or Hate, caused a sensation when it was released in France in 1995 for its gritty, vivid and shocking snapshot of life in the "banlieue," or the suburban Parisian housing projects full of low-income immigrants.
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